In the autumn of 1987, I canvassed Kensington, Maryland on behalf of the US Public Interest Research Group. I was talking to citizens about acid rain. (Seems almost quaint now.) Canvassing’s a tough job. You get many noes for each yes and you have to keep a thick skin about you.
At one house, the father answered and said his family was eating dinner, which was usually a reason to send me away. Instead, he invited me to the table and asked if we could have a conversation about the environment with his wife and sons. It was one of those experiences that made the job worth while.
Better still, the elder son – Tony – came and canvassed for me the following summer. He was 17 years old, tall with a big jaw and glasses. He was a bit dorky and it was clear he had not yet accommodated himself to his new size. He was like a colt learning to run. Tony was not the best canvasser in the office that summer, but I took particular pleasure watching his progress. Although I was 27 (it seemed old at the time), I took an avuncular interest in him. It was like watching a coming-of-age movie.
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Jimmy and the Chapels
Matt’s cab pulled to a silent stop on the pre-dawn street Monday. Fifteen minutes early, every time. I hoisted my duffle bag and brief case onto my shoulder and out the door I went.
In the cab, Matt was ready to bubble over. He’s a recent convert to Facebook and through the online social network, he’d been found by friends from Jackson Heights, Queens he’d lost touch with some 45 years ago.
“I was in a doo-wop group back then,” he said. “We were all in doo-wop groups. It didn’t keep us off the streets, but it did keep us out of trouble.”
Matt’s group, a quintet, was Jimmy and the Chapels. “The name never made any sense, but it sounded good.” The Jimmy in the group was Jimmy Spinelli, who now tours with the professional doo-wop group The Duprees.
“I sang bass and baritone and occasionally I’d get off a tenor piece, but mostly bass and baritone,” Matt said. “Jimmy, of course was the best. He was born with a cleft palate and when he spoke, you could hardly make out what he was saying, but when he sang, it was crystal clear. Singing was the therapy back then. And he had a great voice, just a great voice.”
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