Before the Internet, the passing along of office jokes had to be accomplished with typewriters and copiers. I remember a few of these coming into my house when I was a child. (Copiers were then new technology, but Rochester was the home of Xerox).
One that stuck in my head was the prototypical “letter from your Irish cousin.” I can’t remember if my German dad or Irish mom brought it into the house, but (of course) I was able to find a copy on the web.
The letter contains six imprecations directed at the English and/or Protestants and three reminders to keep sending money. This line’s typical: “Your cousin Biddie had a baby. One of them Limey officers in fancy uniform took advantage of her. He offered to marry her but her father said ‘NO,’ better a bastard in the family than a bloody Englishman. God bless him and may the child never know.”
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After the Flood
Adrienne and I are watching the first season of Tremé on disc. I resisted this for three years, despite the praise the show – and the way it was made – received from New Orleans friends.
If you haven’t seen it, the HBO series opens three months after Hurricane Katrina and takes place in an historic New Orleans neighborhood that’s racially, socially and economically mixed.
I’ve occasionally worked in Gulf Coast communities for over 20 years. I was there right after Katrina and several times since and the show gets it right. It gets New Orleans right and it gets Katrina’s aftermath right.
A friend’s parents were hit hard in the Rockaways by Sandy; my in-laws on the Jersey Shore were luckier. In some parts of Vermont, still getting back on their feet after 2011’s Irene, there’s what you might call disaster envy, the feeling that victims of other, more telegenic or politically-connected storms got more federal assistance. (“Yeah, and what’d we get? A jam jar by the register at the convenience store with our photo taped to it.”)
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