At the beginning and end of 2004, I wrote here that it would be the year that determined whether America would remain a democracy. The axis upon which that question turned was whether George Bush would receive a second term in the White House, but there was more to it than that. Through that year, I was able to see too many incidents pointing to creeping totalitarianism in our country.
Everyone was supposed to feel relief last year when the Democrats took control of both houses of Congress. Perhaps we were supposed to feel even better as we watched the Bush Administration and the Republican Party collapsing into scandals and incompetence in the months since.
I wish I could agree, but I can’t. I think we’ve swung so far into complacency and cowardice that we don’t realize how far gone we are. If we need evidence for that hypothesis, look no farther than the resolutions passed overwhelmingly in the House and Senate this week commending the American commander in Iraq, Gen. David Petraeus, and condemning MoveOn.org for its New York Times ad. The ad asked if Gen. Petraeus, would become “Gen. Betray Us” by cooking the books for the Bush Administration in his testimony before Congress.
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Growin’ Up
In the summer of 1979, a few months after the accident at the Three Mile Island nuclear plant, Musicians United for Safe Energy (MUSE) staged the “No Nukes” concerts in New York City.
One of the acts, Bruce Springsteen and the E Street Band, took the stage to a tremendous roar from the audience. Many interpreted the noise as Bruce’s bridge-and-tunnel followers calling his name. Others heard boos.
Among activist-rockers like Jackson Browne, Graham Nash and Bonnie Raitt, Bruce and the E Streeters were the odd band out. In four albums of songs about cars, girls and summer nights there hadn’t been a word about politics or the environment or social issues. Bruce declined to release a statement for the event’s program, saying the music was its own statement. Most damning to cynical was the fact Bruce hadn’t performed publicly in many months because of a lawsuit. He was accused of taking advantage of an easy opportunity to get his on-stage chops back without making a commitment to the issue.
Twenty-eight years later, Bruce is releasing albums all about politics and issues with just a dusting of summer nights, girls… er, women and the occasional motorcycle.
Maybe it’s about growing old. Rock and roll has long sold the illusion of eternal youth, regardless of how we cringe watching Mick and Keith grind away, still feigning dissatisfaction 40 years later.
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